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[181] Dutton, D. D. The Art Instinct: Beauty, Pleasure, and Human Evolution . New York: Bloomsbury Press, 2009. P. 6. [182] Ibid. [183] Spurling, H. Matisse the Master: A Life of Henri Matisse: The Conquest of Colour 1909–1954 . New York: Alfred A. Knopf, 2007. P. 26. [184] Gombrich, E. H., Hochberg, J., and M. Black Art, Perception, and Reality. Baltimore: Johns Hopkins University Press, 1972. P. 41. [185] Ibid. [186] Frith, C. Making Up the Mind: How the Brain Creates Our Mental World. Oxford: Blackwell Publishing, 2007. P. 149. [187] Frith, U. Autism: Explaining the Enigma . Oxford: Blackwell, 1989. Pp. 77–78. [188] Kanner, L. Autistic Disturbances of Affective Contact // Nervous Child 2 (1943): 217. [189] Ibid., p. 242. [190] Frith, U. Autism: Explaining the Enigma . Oxford: Blackwell, 1989. P. 80. [191] Пер. М. Лозинского. – Прим. пер. [192] Цит. по кн.: Ochsner, K. N., Bunge, S. A. Gross, J. J. and J. D. E. Gabrieli Rethinking Feelings: An fMRI Study of the Cognitive Regulation of Emotion // Journal of Cognitive Neuroscience 14, no. 8 (2002): 1215. [193] Mellars, P. Archaeology: Origins of the Female Image // Nature 459 (2009): 176. [194] Ibid. [195] Ibid., p. 177. [196] Aiken, N. E. The Biological Origins of Art . Westport, CT: Praeger, 1998. P. 169. [197] Dissanayake, E. What Is Art For? Seattle: University of Washington Press, 1988. P. 44. [198] Tooby, J., and L. Cosmides Does Beauty Build Adapted Minds? Toward an Evolutionary Theory of Aesthetics, Fiction, and the Arts // SubStance 94/95, no. 30 (2001): 25. [199] Ramachandran, V. The Science of Art: A Neurological Theory of Aesthetic Experience // Journal of Consciousness Study 6 (1999): 49. [200] Ibid., p. 15. [201] Gardner, H. Creating Minds: An Anatomy of Creativity as Seen Through the Lives of Freud, Einstein, Picasso, Stravinsky, Eliot, Graham, and Gandhi . New York: Basic Books, 1993. P. 298. [202] Holton, G. The Scientific Imagination: Case Studies . London: Cambridge University Press. Pp. 231–232. — 412 —
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