Век самопознания

Глава 12. Мозг как творческий аппарат

Ferretti, S. Cassirer, Panofsky, and Warburg: Symbols, Art, and History. New Haven: Yale University Press, 1989.

Friedlander, M. J. On Art and Connoisseurship (Von Kunst und Kennerschaft ). Berlin: Bruno Cassirer Ltd., 1942.

Gombrich, E. H. Art and Illusion. A Study in the Psychology of Pictorial Representation. Princeton and Oxford: Princeton University Press, 1960.

Handler-Spitz, E. Psychoanalysis and the aesthetic experience / In: Art and the Psyche. New Haven: Yale University Press, 1985. Pp. 55–65.

Holly, M. A. Panofsky and the Foundations of Art History. Ithaca, NY: Cornell University Press, 1984.

Necker, L. A. Observations on some remarkable optical phenomena seen in Switzerland, and on an optical phenomenon which occurs on viewing a figure of a crystal or geometrical solid // London and Edinburgh Philosophical Magazine and Journal of Science 1 (5) 1832: 329–337.

Panofsky, E. Studies in Iconology: Humanistic Themes in the Art of the Renaissance. Boulder, CO: Westview Press, 1939.

Rock, I. Perception. San Francisco: W. H. Freeman, 1984.

Rose, L. Psychology, Art and Antifascism: Ernst Kris, E. H. Gombrich, and the Caricature Project . Manuscript (2010).

Searle, J. Minds, Brains, and Science (1984 Reith Lectures ). Cambridge, MA: Harvard University Press, 1986.

Wittgenstein, L. Philosophical Investigations. New York: Macmillan, 1967.

Глава 13. Начало новой живописи

Gauss, C. E. The Aesthetic Theories of French Artists: 1855 to the Present. Baltimore: Johns Hopkins University Press, 1949.

Gombrich, E. H. The Story of Art. London: Phaidon Press, 1950.

Gombrich, E. H. Kokoschka in His Time. Lecture Given at the Tate Gallery on July 2, 1986. London: Tate Gallery Press, 1986.

Hughes, R. The Shock of the New: The Hundred-Year History of Modern Art – Its Rise, Its Dazzling Achievement, Its Fall. 2nd ed. London: Thames and Hudson, 1991.

Novotny, F. C?zanne and the End of Scientific Perspective. Excerpts / In: The Vienna School Reader: Politics and Art Historical Method in the 1930s . C. S. Wood, ed. New York: Zone Books, 2000. Pp. 379–438.