Век самопознания

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Yates, W. E. Schnitzler, Hofmannsthal, and the Austrian Theater. New Haven: Yale University Press, 1992.

Глава 8. Женская сексуальность и модерн

Bayer, A., ed. Art and Love in Renaissance Italy . New Haven: Yale University Press, Metropolitan Museum of Art, 2009.

Bisanz-Prakken, M. Gustav Klimt: The Late Work. New Light on the Virgin and the Bride in Gustav Klimt / In: Gustav Klimt: The Ronald S. Lauder and Serge Sabarsky Collection . R. Price, ed. New York: Neue Galerie, Prestel Publishing, 2007.

Bogner, P. Gustav Klimt’s Geometric Compositions in Vienna 1900. Paris: ?dition de la R?union des Mus?es Nationaux, 2005.

Brandst?tter, C., ed. Vienna 1900: Art, Life and Culture. New York: Vendome Press, 2006.

Braun, E. Carnal Knowledge / In: Modigliani and His Models . London: Royal Academy of Arts, 2006. Pp. 45–63.

Braun, E. Ornament and Evolution: Gustav Klimt and Berta Zuckerkandl / In: Gustav Klimt: The Ronald S. Lauder and Serge Sabarsky Collection . R. Price, ed. New York: Neue Galerie, Prestel Publishing, 2007.

Cavanagh, P. The Artist as Neuroscientist // Nature 434 (2005): 301–307.

Clark, D. L. The masturbating Venuses of Raphael, Giorgione, Titian, Ovid, Martial, and Poliziano // Aurora: Journal of the History of Art 6 (2005): 1–14.

Clark, K. What Is a Masterpiece? New York: Thames and Hudson, 1992.

Comini, A. Gustav Klimt. New York: George Braziller, 1975.

Cormack, R., and M. Vassilaki, eds. Byzantium. London: Royal Academy of Arts, 2008.

Dijkstra, B. Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Si?cle Culture. New York: Oxford University Press, 1986.

Elsen, A. Drawing and a New Sexual Intimacy: Rodin and Schiele / In: Egon Schiele: Art, Sexuality, and Viennese Modernism . P. Werkner, ed. Palo Alto, CA: The Society for the Promotion of Science and Scholarship, 1994.

Feyerabend, P. Science as art: A discussion of Riegl’s theory of art and an attempt to apply it to the sciences // Art &Text 12/13 (Summer 1983 – Autumn 1984): 16–46.